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My Songs EDIT: NEW SONGS!

Started by cfalkosky, October 16, 2015, 04:21:48 AM

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cfalkosky

Quote from: j.fco.morales on February 10, 2016, 07:08:17 PM
I'm decided to move to LA as well!
Dude Let's meet up!

Quote from: sonnyblack2000 on February 10, 2016, 11:49:18 PM
Definitely talented but feels like you re trying to make today s music and emulating the established producers instead of defining what makes you different and trying to do music fo tomorrow. It all felt real safe. Are you strictly in the box?
thanks man! I can def hear what your saying, with my newest stuff I'm always asking the question what if it was darker? what if it was weirder? but yea it's strictly in the box

sonnyblack2000

Ya the itb thing, its great but it lends itself to be too precise for lack of better description. For example: Vintage hardware synths might drift a bit, you might overdrive the filters, some dont have midi so you actually have to play decent enough, it all adds up to a bigger and deeper sound to my ears...
But yeah defnitely explorng darker/weirder textures will make the material stand out, ther then that its all there.

J_A24

You can make ITB sound like that too. Also don't limit yourself to synths, sample manipulation is your friend too.

cfalkosky

Quote from: sonnyblack2000 on February 16, 2016, 03:16:42 AM
Ya the itb thing, its great but it lends itself to be too precise for lack of better description. For example: Vintage hardware synths might drift a bit, you might overdrive the filters, some dont have midi so you actually have to play decent enough, it all adds up to a bigger and deeper sound to my ears...
But yeah defnitely explorng darker/weirder textures will make the material stand out, ther then that its all there.
thanks for notes!

Quote from: J_A24 on February 17, 2016, 03:50:24 PM
You can make ITB sound like that too. Also don't limit yourself to synths, sample manipulation is your friend too.
thanks for tip J_A24 i'll have to try some more sample manipulation and see how it goes

j.fco.morales

Actually, you can sample without even noticing it.

cfalkosky

Quote from: j.fco.morales on February 18, 2016, 03:37:22 PM
Actually, you can sample without even noticing it.

Could you please explain a little more, I'm not quite sure what you're getting at?  Thank you.

Cody

j.fco.morales

Quote from: cfalkosky on February 18, 2016, 07:43:44 PM
Could you please explain a little more, I'm not quite sure what you're getting at?  Thank you.

Cody

I read an interview with a great producer -can't remember the name right now- that every piece of sound can be sampled and used.
If you manipulate it in the right way and create "other" sound, it's not exactly a sample.

The law is very blurry about it. And no one has to know unless you want to  :-X

AlexanderLaBrea

And how does this help him?

cfalkosky

Quote from: j.fco.morales on February 19, 2016, 02:58:46 PM
I read an interview with a great producer -can't remember the name right now- that every piece of sound can be sampled and used.
If you manipulate it in the right way and create "other" sound, it's not exactly a sample.

The law is very blurry about it. And no one has to know unless you want to  :-X

ahh i see what you're saying now, thanks for clarifying

NeutronSynergy

Quote from: cfalkosky on February 04, 2016, 12:04:14 PM
I'm not even at a level where I know how to "send stuff to labels" and have them actually listen...


Hi there  :D

Is that really so?

I see the link you posted date's back to 2014 - a quick look around the web-shows that under name cfalkosky - there is releases on every single digital web store around..

https://itunes.apple.com/us/album/chart-pop-2/id1035488240

UPPM- records :
http://www.unippm.com/

Is that you?
alis grave nil

cfalkosky

Quote from: NeutronSynergy on March 06, 2016, 07:52:27 AM
Hi there  :D

Is that really so?

I see the link you posted date's back to 2014 - a quick look around the web-shows that under name cfalkosky - there is releases on every single digital web store around..

https://itunes.apple.com/us/album/chart-pop-2/id1035488240

UPPM- records :
http://www.unippm.com/

Is that you?

NeutronSynergy,

Yea I did those songs.  They were for a pop library through a music licensing company my friend works for.  I also have indie "releases" out there, but that was really just uploading songs though tune core that I wrote with some friends, anybody can do that.  As far as getting cuts, or making connections at Universal, Sony or Warner I don't really have a good in at this point.  However I have hope that that can change.  :-)

thanks for comments,

Cody


NeutronSynergy

Quote from: cfalkosky on October 16, 2015, 04:21:48 AM
My goals in posting this: 1,2,3 ...
There are some question what a producer would ask (aside of what they are hearing) starting from Sir George Martin and Sam Phillips:

Judging by your original goal's - What capacity of equipment you use . ie - did you have a production capacity of
equipment worth of of 50 000 $, 10 000 $, 100 000 $  or more  + the staff (you + 2 producers/writers all input capacity or for example one/multiple studio input capacity combined) were there additional mastering house - used?

and as we are talking about producing (not just songwriting) - did you have multiple small/semi-private/commercial studio's at your disposal for usage to produce
the output you/team are sharing?  and if 'just' private home studio's then was the capacity somewhere between 10 - 30 k - combined and possible
musician's (vocalists too)  included? Or was the rack gear - mixing console/equipment alone beyond 10k - not including synthesizers/software/Instrument's/Microphones and
possibly the treatment acoustics and studio rooms (rented or owned)

Not of course asking the initial budget there but about the overall capacity since I'm trying to determine what advice's could be really beneficial for you   
alis grave nil

NeutronSynergy

If you're not already familiar - check this out: http://horusmusic.co.uk
a real service to push your material up (that is if one wishes to remain the chief in operation ; More independent ) no caveats -
alis grave nil

NeutronSynergy

Btw - what do you people think about 'ITB' ? is it more about the environment or the working method?

This is a classical so called outside-the-box example in it's finest with their modified Harrison mix console :
http://www.abbaexperience.com/polar-music.html
or http://www.boprecordingstudios.co.za/

Even this is not fully ITB: as they guy is surrounded by (at least) 30 000 - 100 000 dollars worth of HW - but the working method is as he point's out.
http://www.uaudio.com/blog/artist-interview-andrew-scheps/

THIS is "ITB" to the bottom of it  - before such notion became a common.
https://www.youtube.com/watch?v=hLqzzG0Osjc

..

You can find phenomemal/good examples of such ITB - style producing from Fruity loops-demo folder.  (Free to download. there is for example a dedmau5 work "fully ITB"
before he became a name)
https://www.image-line.com/flstudio/

Here you can see 'ITB' and 'OTB' living peacefully together: http://thechurchstudios.com/ - as Paul Epworth advertises in this video
https://www.youtube.com/watch?v=PCZ7cDR1L6c
that UAD2 - Powered ITB-unit.

Oh!? Aren't those the same monitors setup in the "church-studios" as the 'Sonnyblack2000' has..been wondering what they are , oh yes they are Yamaha ns-xx series close field monitors and a - Barefoot MicroMain27 Nearfield Monitors..a moment of truth (or death) that is for all the little songs floating around.

the Barefoot's alone cost a modest $10,495.00..
alis grave nil

JamesSongwriter

Dude! I seriously dig your tracks. Sonically they sound so amazing. I can imagine all of them on the radio...

Agree that the melodies and lyrics are a little too happy, lacking a bit of an edge. But other than that I'm impressed.

I'm a topline writer from London (and I produce my own tracks but wouldn't call myself a producer). Not signed or anything yet but had a song put on hold by Zendaya / Chris Brown A&R. Looking for great beats and producers to work with, it's hard to find beats as current and fresh as yours.

Would love to collaborate. Have sent you a PM incase you don't see this, we should exchange emails.